Category Archives: heirloom sewing

Piping Possibilities

Piping is a wonderful way to add designer detail to a garment. Here we will review different ways to apply piping to the garment, getting the best results possible. As with many techniques, there are multiple ways to accomplish this.

Piping always works best if it is cut on the bias. In a pinch, if the piping is being applied to a straight seam, a straight piece of fabric can be used to cover the cording. However, piping will always have a smoother look if covered with a bias piece of fabric. Going around curves requires that the piping be covered with a bias strip of fabric.

Let’s start at the beginning – making the piping.

The bias on a piece of fabric is at a 45º angle from the selvage. The selvage can be folded over at the 45º angle and a rotary cutter and ruler used to cut strips of bias. This gives the most accurate strips of bias to use.

Frequently long strips of bias are needed so it will be necessary to join bias strips together to get the desired length.

To join bias strips, place 2 strips with right sides together and the cut ends matched up. Stitch across the corner at a 45º angle (shown in red). Trim the seam allowance and press the seam open. Join as many strips as needed in this manner.

To make the piping, place the cording on the wrong side of the bias strip and wrap the bias around the cording, matching the cut edges. Stitch close to the cording using an edgestitching or piping foot and use a slightly longer stitch length (3.0).

Do NOT stitch as close as possible!!! When the piping is applied to the garment, it should be stitched 1 thread closer to the cording than the stitching used to create the piping. This way the stitching for the piping will always be enclosed and won’t show on the outside of the garment.

Applying The Piping To The Garment

Now that the piping has been made, it can be applied to the garment. There are always different ways to end piping. One is not right while the other is wrong, they are just different. We will explore a few different methods here. Try the different methods to see which on works best for you.

When piping is going to go around the bottom of a sleeve or at the top of a sleeve cuff, it needs to give the appearance of being continuous. Again, there are several different ways that this can be accomplished. As previously mentioned, when the piping is stitched to the garment, stitch a thread closer to the cording in order to cover the stitching line that was created when the piping was made. If a lining is involved, when the lining is sewn, again, stitch 1 thread closer to the cording.

This second stitching line isn’t shown in the diagrams in order to keep the diagrams crisp and uncluttered.

The first 2 methods involve overlapping or butting the ends of the piping.

In both of these methods, the cording remains in the piping and the piping is either crossed over each other or the ends of the piping are butted together. To butt the ends together, it is helpful to use a hemostat to grab the end of the piping and get a good angle as it is stitched to the garment, as shown in the example on the right. Always check to be sure that there is a smooth and continuous flow where the piping is showing!

Another method involves angling off the fabric. This is similar to butting the ends together, however with this method, the cording is removed from the section of the piping that will be angled off. This method reduces bulk in the seam allowance of the garment.

To remove the cording from inside the piping, pull out a small amount of cording at the beginning, where the piping will be applied. Cut off the cording, then ease the cording back into the piping. Fold over the area that has no cording in it at a sharp angle and stitch the piping down. End in the same manner, removing the cording from the section that will be folded down. Ensure that there is no gap left between the beginning and the end of the piping!

The next 2 methods involve encasing the cording inside the piping for an unbroken appearance.

Method 1 Encased – Begin sewing piping 1” away from the end, continue around and stop before you reach the starting point. Remove a section of cording (about 3/4”) from the starting end.

Fold the cut end down at a 45º angle until it meets the cut end at the lower edge.

Take the opposite end of the piping and place it over the folded edge of the bias. Cut it off at the exact spot where the cording ends on the opposite side. Wrap the bias band over the cording and stitch. This leaves the piping with an angled seam, which disperses some of the bulk at the seam.

Method 2 Encased – Begin sewing the piping to the garment, starting about 1” away from the cut end. At each of the ends, overlap (without stitching) the ends by 1/2”.

Cut off 1/4” of the cording from each side.

Fold under 1/4” of the bias strip on each side, wrong sides together, encasing the end of the cording. Press. Then fold over the the bias strip so that the cut edges meet.

The finished bias band has ends that butt up to each other. Ensure that there is no “gap” between the sides.

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Some of the same methods can be used when the piping ends at a foldline (such as at the neckline or waistline of the back of a back buttoning blouse or dress). The ends can be angled off, as shown in the first methods. Alternately, the ends can be encased using either of the encased cording methods. Both work well and will give good results.

As with all techniques, practice makes perfect! Enjoy the process!!! Happy stitching!!!

Changing A Bishop Sleeve

This is re-post of a past blog post, with a few additional comments.

Because styles vary from year to year, I wanted to change up the sleeve of the bishop dress so that it was a bit more contemporary. I redrafted the sleeve to the bishop dress pattern from the bishop pattern that I normally use and put the dress together so that I could smock it while on vacation.  I always make my bishop dresses as ready-to-smock. Instructions on how to do that are available in my Etsy shop (kathysheirloomshop). I love having a completed dress when the smocking is finished.  I was very happy with the end results!

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Smocking on prints is always challenging for me, and this was no exception.  I took along several different colors of floss as well as several different smocking plates.  In the end, I decided to use Creative Keepsake’s “Mackenzie” design.  It is similar to the Children’s Corner “Firelight”, which I’ve always loved on prints and plaid fabrics.  I think that the use of the 2 colors is very subtle and compliments the print nicely.

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The micro check gingham for the bias at the neck and sleeves adds a little brightness to the fall-ish print.  The micro check was also used for covered buttons in the back.

Now, for a few details on how  the sleeves were redrafted.  You’ll notice that they are not smocked.  I wanted less full sleeves, so smocking them wasn’t practical as that would require more fullness than I wanted.  To reduce the fullness in the sleeves, I creased the sleeve in several places and put some 1/4″ tucks at the creases and pinned them down as  seen on the furthest tuck on the right.  After I felt that enough fullness was removed, the new sleeve was redrawn with the top edge drawn as a smooth line from one side to the other.

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The next thing to do was to reduce the depth under the arm.  The finished sleeve depth under the arm is about 1/2″.  Then, the final step was to raise the lower edge of the sleeve by drawing a curve (an upside down “U” shape) from one side seam to the other.  I didn’t have a particular formula for this, just an educated guess.  This is the new sleeve.

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After the new sleeve was created, the dress front, sleeves and back were sewn and the bishop dress pleated as normal.  However, when the bias band was attached to the dress, the pleats in the front and back of the dress were kept tightly together while the sleeve pleats were spread out. At this point, the pleating threads could be removed from the sleeves and the dress front and back tied off as needed.  The short sleeves were gathered at the bottom and bias band was attached.  The bias band for the sleeves was adjusted and made slightly longer (measure your child for accurate measurement) since the different shaped opening requires a little more room than the normal smocked sleeve.  The remainder of the dress was constructed.

This was a fun dress to make and turned out so cute and was a big hit!!!

If this is something that you want to try, don’t be afraid to experiment!

Happy stitching!

Kathy

February – New Month, New Pattern

I have been busy the last month working on a new pattern. I have finally finished the pattern and got it listed in my Etsy shop. The pattern is a vintage style apron dress.

Isn’t this the sweetest dress!!! I created this from combining the ideas from 2 different vintage apron dress patterns that I’ve saved pictures of and am very happy with the end results.

I always get so much enjoyment from creating these patterns! The embroidery on this yellow dress actually is from a vintage pattern of mine and is included with the pattern. Obviously, any embroidery would be beautiful. On the white dress pictured first, I did a variation of this, using bullion roses instead of the lazy daisy flowers.

In the pattern, I offer 3 different neckline variations – square neckline, round neckline and a sweetheart neckline. My personal favorite is the square, but I do like the others as well.

On most of the samples that I made, I used French Val laces and pin stitched the lace to the dresses. However, when I got to the size 4, I wanted to try something different. For that dress, I used a very lightweight poly/cotton piqué fabric that I purchased in Prague a few years ago. I combined it with Swiss trims and loved how it turned out. It’s a little more casual than the other heirloom versions that I had done.

Don’t you love it with the Swiss trims!!! So very summery!!! I even added 2 pockets to this dress, which I then included in the pattern.

I can see this dress in so many different variations – fabrics, trims, etc. I used larger tucks for this dress, though I’m not sure that they show up well in the picture.

The flat front version is also so pretty! I can see this with all kinds of embellishment – wouldn’t a monogram be perfect!!! A shadow work monogram would be gorgeous! I did a simple lace shaping on the front of the one that I made. I’m still considering adding some embroidery. This dress features the sweetheart neckline!

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Maybe you have someone that would look so sweet in this dress!!! I have begun a sew-along of the dress on my YouTube channel. Please consider joining the fun! I am looking forward to seeing many beautiful versions of this sweet dress!!!

I hope the new year has included some enjoyable stitching for you!!!

Kathy

Sewing For Preemies

I sew quite frequently for preemie babies and because of that, I’ve created a number of preemie patterns which I sell in my Etsy shop (Kathysheirloomshop). You can click on the shop name and it will take you to my shop.

Recently I was contacted and asked about even smaller size preemie daygowns. I currently have my Prince/Princess Preemie Pattern available for a 4 – 5 lb. preemie.

By adding length to this top (I believe I added 8″ to the bottom of the 4 – 5 lb. size), it becomes a daygown rather than a diaper shirt.

The little bit of hand embroidery adds such a sweet touch to the gown and bonnet!

The person that had contacted me felt that a gown smaller than the 4 – 5 lb. size might be needed. Challenge accepted! LOL! I worked at making a smaller size pattern. I ended up with a 3 – 4 lb. size pattern. I did a test sew of the pattern and it worked out just as I expected. However, because the diaper shirt/gown is completely lined, the sleeves are sewn in last, meaning “in the round”. Sewing the sleeves into this tiny armhole opening was quite the challenge!!! I could only stitch about 5 – 6 stitches, then would have to reposition and repeat. 😱 I also ended up hand basting the sleeve into the armhole opening. It was just to fiddly to have to deal with pins while trying to stitch the sleeve in. 😳

I tried it on a 15″ baby doll “model”. This does make a sweet doll pattern as well!

Because of the difficulty/challenge to sew in the sleeves into the tiny armholes, I have decided to offer this as a free download. I was not prepared for the multitude of questions from buyers regarding the sleeve stitching! You cannot imagine how many messages I get as a seller!!! LOL! So, be aware, the tiny sleeves ARE a challenge, but they can be sewn with a LOT of patience!!!

The download is ONLY the pattern pieces, NO INSTRUCTIONS for sewing are included. If you have purchased the preemie pattern or the pattern for sizes NB – 12 mo., you can follow those instructions. If you want/need sewing instructions and have not purchased one of the patterns, you will need to purchase one of them in order to have sewing instructions.

If you want the diaper shirt to be daygown length, add 6″ to the bottom of the shirt.

As always, I still recommend soft fabrics (batiste, lawn, etc.) and if you choose to use a print, make sure it is a tiny print so that it doesn’t overwhelm the baby (or doll).

Happy Stitching!!!

Kathy

Happy New Year – a gift for you

I’ve sadly neglected my blog. That said, I have been busy sewing, designing and such. I hope to do a better job posting in this year to come. 😊

Today I was contacted by someone that was going to make my Annalise top and she wanted to find the heart design that she had seen somewhere – probably Pinterest. It turns out that this was something that I designed MANY years ago when I used to make and sell custom garments on Ebay.

I designed the heart smocking to match the fabric on the pants, which was a crooked heart. Isn’t she the cutest model!!! I’m sure that she’s in college by now!

I had to do a bit of hunting to find the design. Thankfully I had saved the pencil graph of the heart. With that, as well as the pictures to go on, I graphed out the heart design on the computer and wanted to offer it to my followers so that it can be smocked on a Valentine outfit for this year!!! I have graphed out the smocking design that fits perfectly on the Annalise top (available in my Etsy shop – just click on the name and it will bring you there) as well as offering it in a regular yoke design.

This is a relatively simple smocking design and suitable for someone that has mastered reading the picture smocking graphs

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hope that you will enjoy making a cute outfit using one of these smocking designs! The single design is perfect for a small area to smock while the expanded version will work well on any yoke dress!

May God bless you and keep you in this New Year! Happy stitching!!!

Kathy

Heirloom Sewing 101 – Sewing Flat Lace To Fabric

Working with heirloom laces is easier than you think. For these instructions and the corresponding video, I will be working with the Tapered Smocked Preemie Bonnet by Laurie Anderson. If you are a Facebook member of the SAGA Wee Care group, she has generously donated this bonnet pattern to the group and it can be downloaded there. I am making this bonnet to match one of the Wee Care gowns completed in a previous video.

For this technique, I am using Imperial batiste, heirloom lace, 60 wt. thread, sz. 70 Microtex needle & Faultless spray starch.

After cutting out the pattern and pleating, per the instructions, flatten out the bonnet in order to attach the lace. Pull one of the header threads of the lace in order to go around the curves, as shown on the video.

Place the lace 1/8″ from the edge of the bonnet front, with the scalloped edge of the lace facing towards the bonnet (right sides together). Set the straight stitch of the machine to a 2,0 length and stitch the lace to the bonnet, stitching on top of the header threads. Go around the corners carefully, ensuring that the gathered portion of the lace isn’t caught in the stitching.

After the lace is attached, switch to a zigzag stitch (4.0 W & 1.0 L) and zigzag the seam allowance of the lace to “roll & whip” the seam, which will give it a nice finish. The left swing of the needle should be on top of the header lace/stitching line and the right swing of the needle should go off the fabric.

Once the roll & whip has been completed, finger press the seam allowance towards the fabric and then change the zigzag stitch to a 1.5 W & 1.0 L. Stitch this zigzag stitch on top of the lace with the left swing of the needle going through the bonnet fabric & seam allowance and the right swing of the needle barely going into the lace. This keeps the seam allowance from flipping forward and showing through behind the lace. While this is an optional step, I always do it to keep the lace in place.

All of these steps are shown in the video, so you can refer to that to see the steps completed.

I hope that this will help you in your quest to learn more heirloom sewing techniques!

Happy Stitching!!!

Kathy

Links to some of the supplies mentioned:

Imperial batiste

60 wt. Mettler thread

Size 70 Schmetz Microtex Needle

Starch

Disclosure: The recommended products contain affiliate links. If you purchase something through one of those links I may receive a small commission, so thank you for supporting me when you shop! These are my opinions and are not representative of the companies that create these products. These are the products I use and have gotten great results with. I would never recommend poor quality products.

Machine Granitos

Machine granitos are simple to make and can be finished much more quickly than hand-stitched granitos. To prepare for stitching the granito, use a circle template and a blue wash out marker to draw the circles where they are to be stitched on the fabric.

Cut a small piece of Totally Stable stabilizer and iron it to the fabric behind the drawn ccircle.

Thread the machine (top and bobbin) with 50 wt. DMC cotton thread in the color desired and use a size 70 Schmetz needle and an open toed foot. Set the machine for a .3 – .5 stitch length.

Take 1 stitch in the center of the circle. Gently pull on the top thread so that the bobbin thread comes to the top and pull it through. Holding both threads, take a couple stitches to secure the threads, then trim away the tails next to the fabric.

Set the machine to a zigazag stitch with a stitch width of 1.5 and a stitch length of .2. Stitch 12 – 20 stitches. Be sure to count the stitches! Stitch the same number of stitches forward, then backward, then forward again and backward again. This completes the machine stitching. For the granito stitched in the video, I stitched 13 stitches.

Gently pull on the bobbin thread until the top thread comes to the back. Tie a square knot to secure the threads. I generally will tie 3 knots.

With your thumbnail, push back and forth a few times on the wrong side of the granito to push the threads towards the front. Then pull away the stabilizer. Your granito is complete!

If the granito doesn’t look completely round, the shape can be pinched between finger nails to help round it out (see video).

Granitos are a lovely way to add visual interest to garments, pillowcases, doilies, etc. Have fun stitch some!!!

Kathy

Supplies needed:

Circle Template

Fine Tip Blue Wash Out Marker

Totally Stable Stabilizer

Schmetz sz. 70 Microtex needle

DMC 50 wt. Cotton Thread

Disclosure: The recommended products contain affiliate links. If you purchase something through one of those links I may receive a small commission, so thank you for supporting me when you shop! These are my opinions and are not representative of the companies that create these products. These are the products I use and have gotten great results with. I would never recommend poor quality products.

Wee Care Sew-Along 4 – Madeira or Alternate Hem Treatment

In this sew-along we will be finishing up the gown by doing the Madeira hem or alternate hem.

First, I have to apologize as I’ve created a minor problem with the construction. For the original gown, I sewed the sleeves, inserted them into the gown, pleated the gown, did the hem treatment and finished with finishing the back of the gown and attaching the bias band. It seemed to me that it made more sense to do the hem last, as is done on most dress/gown projects. Obviously, I didn’t consider the full implications of changing the construction order. 🙄

To create the Madeira or alternate hem treatment, the back of the gown needs to be unfinished. So, for those that have finished the back of the gown already, you will need to remove the stitching in the hem area so that the Madeira hem can be sewn. I’m sorry for the un-stitching required, but thankfully, it’s a small amount. You will also need to add that hem allowance to each side of the pattern piece that you’ve created so that the contrast band pattern and fabric will be the same width as the unfinished gown.

The first step will be to cut 2 contrast bands of fabric, at least 1″ deeper than the highest point of the hem pattern created and as wide as the gown. Starch the bands as well as the skirt fabric. Then place the scallop pattern of your choice on top of one of the contrast bands, and trace around the scallop shapes with a blue wash-out marker.

Place the 2 contrast bands with right sides together and pin to secure. Put the water soluble thread on the sewing machine (top only) and stitch along the blue lines with a 2.0 stitch length. Be sure to take one diagonal stitch across each scallop peak before continuing stitching along the scallops. The diagonal stitch will result in a better looking point at the peak. Accuracy is essential – the way that the scallops are stitched now will be the way that they look on the finished garment.

After stitching the scallops, trim away the excess fabric from above the stitching line with an even seam allowance. Clip across the point. Then clip the seam allowance of the curves at 1/4″ intervals.

Turn seam allowance to the back (see video) on each side of the point, insert the long tweezers, pinching the folded seam allowances, and turn the point/fabric right side out. Press with a dry (NO STEAM) iron. Do this along the length of the contrast band until all points are turned and pressed. Ensure that you are satisfied with the points along the band, if not, make any adjustments.

IT IS HIGHLY RECOMMENDED THAT THIS TECHNIQUE IS PRACTICED ON SCRAP FABRIC PRIOR TO WORKING ON THE CONTRAST BAND!!! Use some of the leftover fabric from the project to try the techniques and then save the practice piece to practice the pinstitching on.

Place a damp linen press cloth on top of the fabric and press until COMPLETELY dry. Once it is completely dry, the 2 layers can be separated easily. If some places are still stuck together, repeat the process with the damp cloth.

Change the sewing thread to 60 wt. thread. Sew the contrast band to the gown with the right side of the contrast band to the wrong side of the fabric. Trim seam allowance. Understitch. Then press the contrast band to the right side of the fabric and pin the band to the gown along all the scalloped edges/points.

With 80 wt. thread in the top and bobbin, stitch the contrast band to the gown along the folded edge.

PINSTITCH HEM TREATMENT

To prepare the gown for the pinstitch, heavily starch (NOT ELLEN’S BEST PRESS) the hem of the dress. Allow to dry. Then press.

Cut 2″ strips of water soluble stabilizer (Sulky Fabri-Solvy) to the wrong side of the dress centering over the scallops and overlapping the stabilizer as needed.

Set the sewing machine to a pinstitch/hemstitch. The correct stitch will go back and forth 2x and then zigzag once. Use a #110 needle, 80 wt. thread on both the top and the bobbin and the open toed foot. Set the stitch to 2.5 L and 2.0 W. Stitch along the scallops, pivoting as needed and pivoting at the points (see video).

(optional) Trim away excess stabilizer carefully.

ALTERNATE HEM TREATMENT

If you machine doesn’t have a true pinstitch, a double needle hemstitch can be done using a double top-stitching stitch on the sewing machine. This stitch will go forward one stitch, go back one stitch, then go forward again in the same hole, repeat (so forward one, back one, forward 2). I have always called this a double stitch. Some call this a lightening stitch. Again, it is recommended that this stitch is practiced on scraps of fabric before doing it on the gown.

Starch the hem of the gown before beginning. Cut 2″ strips of water soluble stabilizer and pin them behind the scallops of the gown, overlapping as needed.

With 60 wt. thread on top and in the bobbin, the double hemstitching needle and an open toed foot, center the fold of the scallops between the 2 needles and stitch the double top-stitch, pivoting as needed. When the peak of a scallop is reached, leave the needles down, raise the pressure foot, pivot, set the pressure foot down and continue stitching. The fabric will look distorted when you pivot at the point, but as soon as the stitching continues, it will flatten out and look right.

Trim away excess stabilizer.

Regardless of which hem treatment was used, the remainder of the back of the gown can now be finished with a narrow hem.

Soak the gown in cold water for 5 minutes to remove all of the blue wash-out marker. If this doesn’t remove all of the stabilizer, then hand wash the garment in warm, sudsy water and agitate a bit. Rinse completely. Hang to dry and press as needed.

To finish the back of the gown, cut a length of 1/8″ ribbon (32″ – 40″, depending on size). Thread the ribbon into a tapestry needle and insert into the bias band at the neck. Begin at the edge of the bias band at one end and come out at the end of the smocking at the opposite end.

Sew 2 snaps on the back of the gown, the first snap 1″ below the bias band and the second snap 1″ below the first.

I hope you’ve enjoyed the sew-along and have gained some new tips and techniques that can be used in future projects! Please ask any questions you may have and I’ll be glad to answer!

Happy Stitching!!!

Kathy

YouTube Links:

Sew-Along, Lesson 1

Sew-Along, Lesson 2

Sew-Along, Lesson 3

Sew-Along, Lesson 4

I am adding links to the complete list of the products I’ve used throughout the series should you decide that you need any of these.

Gingher Pocket (Kindergarten) Scissors

Point Pusher with Ball End

Imperial Batiste

Schmetz 70 Microtex Needle

Schmetz 110 Jeans Needle

Schmetz Double Hemstitch Needle (if your machine doesn’t have a pin-stitch)

Long Tweezers

Rotary cutter

Press and Cut Board

Ruler with Grid

Starch

Water soluble thread Vanish Lite

Blue Wash-out Marker

Freezer Paper

Long tweezers

80 weight thread – Aurifil or Madeira Cotona

60 weight Mettler thread

Sulky Fabri-Solvy or other water soluble stabilizer

Plastic Snaps

White 1/8″ satin ribbon

Tapestry Needle

Disclosure: The recommended products contain affiliate links. If you purchase something through one of those links I may receive a small commission, so thank you for supporting me when you shop! These are my opinions and are not representative of the companies that create these products. These are the products I use and have gotten great results with. I would never recommend poor quality products.

Wee Care Sew-Along, Part 2

After downloading the pattern, follow the instructions and cut out the gown fabric/rectangle as directed. Fold the rectangle in half, and then in half again in order to cut out the armhole curve.

The armhole curve has TWO placement lines. For the gown that has NO SIDE SEAMS, use the inside line!!! Place this line on the fold and cut around the armhole.

Next cut the sleeve rectangles. If you plan to use the boy’s pleated sleeve pattern, add 1″ to the depth of the rectangle. Using the same armhole curve, cut the sleeve armhole on the OUTSIDE placement line.

Decide on what sleeve treatment will be used. For a smocked sleeve, pleat the sleeves with the desired number of rows (I usually pleat 5 half spaces, 7 for a NB) and be sure to leave the pleating threads long enough to flatten the sleeves out in order to finish the lower edge of the sleeve with a narrow rolled hem or with lace.

Before attaching lace, it is best to starch the lace. For this, use starch, not Ellen’s Best Press. Ellen’s Best Press is a starch alternative, not starch – you won’t get the same crisp results with it as you will with real starch. I use Faultless Heave Spray Starch (link below). It is also available at grocery stores, WalMart, etc.

Attach lace or hem the sleeve bottom. If you need a refresher on how to attach lace, I do have an e-book available on my Etsy site.

https://www.etsy.com/listing/586348280/french-machine-sewing-primer-with-bonnet

For a boy’s pleated sleeve, follow the instructions on the file below (click on the blue PDF) to download the file. This includes instructions for all sizes. Read before cutting out and making the sleeve!!!

Stitch the underarm seam allowance with a TINY 1/4″ SEAM. I have a Youtube video on how to do this:

With the sleeves completed, stitch the sleeve into the armhole. If you have cut & stitched accurately, the sleeve will fit into the armhole perfectly.

Of course, all of the instructions and demonstrations can be seen on my YouTube channel:

This is a longer video, so if you already know how to attach lace, roll & whip, etc., you can fast forward through those parts! 😊 I just wanted to make sure that someone new that wanted to try this would have enough information to apply lace correctly.

You are ready to pleat at this point. Please follow the pleating video if you would like to see how I pleated the gown. Pleat with the number of rows recommended or desired.

Stay tuned for the hem instructions!!!

Links for some of the additional supplies I used – you may already own these:

Rotary cutter

Press and Cut Board

Ruler with Grid

Starch

Keep on stitching!!!! If you have questions, please ask and I’ll answer them here.

Kathy

Disclosure: The recommended products contain affiliate links. If you purchase something through one of those links I may receive a small commission, so thank you for supporting me when you shop – it gives me a little bit back for my time producing these videos! These are my opinions and are not representative of the companies that create these products. These are the products I use and have gotten great results with. I would never recommend poor quality products.

BEAUTIFUL HEMLINES

A beautiful hemline is a lovely way to compliment a bodice – smocked, embroidered, tucked, etc. There are so many ways to embellish a hem. Some are more time consuming and difficult, others are quicker and easier (relatively speaking). This post will address some of the many options of interest to anyone that enjoys heirloom sewing. Hopefully it will inspire some creative thinking for your next sewing project!

A smocked bishop dress is deserving of a beautiful hem treatment. This hem was stitched with a pin-stitch, done by hand and then embroidery was added above the hem. While I nearly always will choose a machine method of hem finishes, I do love hand-work and wanted to test the waters with a hand, pin-stitch. With a small sized bishop dress, this didn’t take too long. This is a cost effective treatment and only requires a lightweight thread for the pin-stitch. Any book on heirloom techniques will include instructions for this stitch.

For reference, this dress was made from Imperial batiste. The smocking design is a variation of Ellen McCarn’s “Cary Anne” smocking plate – I made a few changes. Contrary to the opinion of many heirloom stitchers, it IS possible to do a hand pin-stitch on a poly/cotton fabric. Because of the easy care of this fabric, this dress is likely to get more wear than one that requires special laundering as well as ironing.

As mentioned, my “go-to” methods are almost always a machine method and I love including color in the hem and bodice of a dress.

Scalloped hems always look beautiful!!! Of course, they are more work and will take more time. The finished result is always worth the extra effort! This dress has a scalloped, contrast hem that is machine pin-stitched. Machine pin-stitching also takes time, but goes much more quickly than doing it by hand. Pintucks and embroidery above the hem elevate the design, making it even more beautiful. Pintucks are an easy way to embellish a hem and no additional cost is incurred!

This pattern is available in my Etsy shop.. The fabric for this dress is satin batiste – both the white and the yellow fabric. It is dreamy to work with and creates a keepsake heirloom.

This dress is similar to the yellow/white dress above, but a little quicker to complete. This is a Madeira hem in a contrast color that is machine pin-stitched to the skirt. It has hand embroidered shadow work above the hem – both of these elements are repeated in the bodice.

This dress is made from Imperial batiste for the easy-care that the fabric offers. Because of that, it was worn often, washed frequently and still looks beautiful. As you can see, the machine pin-stitching can also be done effectively on a poly/cotton blend. The pattern and instructions for this dress is available in my Etsy shop.

This is another example of a contrast hem – a shadow Madeira hem, done by machine. The technique for this hem is a bit different. A heavy contrast fabric (hot pink) is used underneath the batiste skirt to shadow through as a pastel pink. This method is much quicker and easier than the previous 2 dresses shown and only requires a pintuck needle and foot and a wing needle. The dress features hand embroidery above the hem. The contrast fabric and embroidery are repeated on the dress bodice.

For an heirloom look with less hours invested, this style will fit the bill. This dress is also made from Imperial batiste, so another easy care dress that should get worn frequently. The pattern is available in my Etsy shop.

Shown below is the same hem technique done with a simple scallop design and with silk ribbon embroidery at the peaks. It is such a versatile technique!

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This is yet another dress using the same technique.

Swiss batiste blue dress with lace.

Satin batiste lace dress with lace overlay bodice, sleeves and a lace scalloped hem.

Pima cotton lawn dress with lace bodice and hem.

It goes without saying that you can never go wrong with a traditional heirloom dress and LOTS of lace! Each of these examples show how the lace hem is a repeat of the lace bodice.

The blue dress is a basic yoke dress using heirloom techniques to add lace. The white dress is a basic yoke dress, smocked, and with heirloom techniques to add a lace overlay bodice, lace sleeves and a scalloped lace hem. This dress was featured in Sew Beautiful magazine several years ago. The pink dress is a pattern available in my Etsy shop.

Sometimes a single lace edging is sufficient as a hem. This adds a touch of elegance without taking away from the dress bodice embroidery and the lace sleeves. This vintage inspired dress pattern is available in my Etsy shop.

To create an heirloom dress with lots of appeal and a little less expense, ribbon can be used in the hem and bodice paired with lace for a stunning dress. This is a great way to learn and use heirloom techniques without breaking the bank! These dresses are made of Swiss batiste, ribbon and lace. It does not require a lot of fabric and could also be made with Imperial batiste if easy care and savings is a factor.

With Easter fast approaching, consider a beautiful hem to compliment whatever you might be creating for someone special!!! You can’t go wrong!

Happy Stitching,

Kathy