Monthly Archives: October 2023

Fancy Band Frustrations!

This post from 2015 definitely needs to be shared again as we get ready for those holiday dresses!

You know what I’m talking about – those beautiful fancy bands that grace the special heirloom dresses. True labors of love!  I love working with lace.

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It is such a delight to see these beautiful creations being worn by the special little ones in our lives! They look so angelic and sweet. Then that moment comes, that horrifying moment when those sweet little feet step on the band and the damage is done – the beautiful band is torn. Well, I have 2 of those mishaps that needed repair work. Ugh!  A truly dreaded task!!!

As I cleaned up in the sewing room last week, I came across the more recent disaster.  I’m sure that you’ll recognize this dress. This dress was originally made for Australian Smocking and Embroidery magazine (Issue #84).

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Then a few short years after publication, I was thrilled to see Ella wearing it for Easter and her little sister Eva wearing a blue dotted Swiss day gown to co-ordinate. They were adorable.

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Isn’t that the sweetest picture ever!!!  Cousin Livvy also wore a dotted Swiss dress and was equally cute.

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This dress was featured in SB #146 and was appropriately called Olivia’s Easter dress.

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However, before we could get pictures of all 3 little girls together in their dresses, the dastardly deed happened and the fancy band was torn.  🙁  Thank goodness for a pretty slip underneath!

The time had come to fix this dress while I still have enough eyesight left to pick out those stitches. Imagine my delight when I discovered that I had already picked out the torn lace on the blue dress!!! Oh the joy! The job of repair just got infinitely easier.

While I was at it, I knew that I should also fix the torn fancy band that has been waiting for 19+ years for repair. This was worn by our youngest daughter, Lauren, for Christmas when she was 4 or 5 years old. She wore that dress several times before the band was torn. I pulled that one out as well – might as well get both of them done.

Here’s the only picture I could find of her in the dress. I kindly cropped out the rest of the kids in their very 90’s outfits! LOL! They will be happy for the cropping!

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I wish I could say that I had already picked out this torn lace, but alas, that wasn’t the case. Not only had I not picked out the lace, but I apparently had the not so bright idea to cut away the torn lace close to the header. Bad idea!!! I also managed to make a bad mistake even worse. Before realizing that I had not properly removed the damaged lace, I starched (aka: glued) the lace heavily in preparation for sewing. Oy! Now the nearly invisible stitches were glued to the fancy band! What a horrible job that ended up being!!!  I think I spent 6+ hours un-sewing.

Finally, I was ready to begin the actual repair work. As I mentioned – I heavily starched all the lace areas – the laces attached to the dress as well as the lace to be re-inserted. I soaked the laces with starch and let them dry over night. Once dry, I pressed everything and began.  (excuse the wrinkles – I wasn’t pressing the entire dress when I knew they would need pressing once finished!)

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The new lace was attached to one side of the lace (doesn’t matter which side you chose to start with). I started and stopped the lace about 1-1/2″ away from the side seam so that I could accurately sew the lace seam and have it fit properly. I marked the lace with a blue wash out marker exactly where the side seam should be, then french seamed the lace. At that point I was able to stitch the final section of lace on.

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As you can see in the top picture, the original lace band top edges don’t meet exactly.  As I stitched the new lace to the original band, I carefully stitched over that section making sure that I caught the header threads of both laces. It ended up smooth when I was finished.  Disguised very well.

Next in order was re-attaching the band to the dress lace section. Before doing this, use a blue wash out marker and mark the dress/lace as well as the band/lace in sections.  Side seams and center front and center back should be marked first. Then mark half way between these marks as well (see red arrows). This gives you guide lines as you stitch the lace band back to the dress. Without marking, it is likely that either the upper lace or the lower lace will feed through the machine unevenly and the result will be that there will be extra lace on either the upper or lower band that will be too much to ease back in. Marking the sections allows you to ensure that everything fits back in place. UPDATE – you can also use a water soluble stabilizer underneath everything to help stabilize while you are stitching.

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Once the bands were back on both dresses, they needed to first have the blue marks rinsed out. Do this with cold water ONLY – no detergent!!! Then the dresses needed to be washed.  

The white dress had really gotten dingy looking from years of storage.  I went for the Retro Clean to brighten up the dress. This stuff works wonders!!!

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A couple of hours of soaking the white dress and it looked new again. I’ll let the “before” and “after pictures speak for themselves. I didn’t Photoshop the colors on either of them.

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As you can well imagine – I highly recommend this product!  It worked wonders in just a couple of hours.  In case you need more convincing, here’s a picture of another dress that was whitened more recently. I discovered that the ingredient in Retro Clean is sodium peborate, which can be purchased without being repackaged as Retro Clean or Restoration. These are all the same, so any one of them can be used for whitening. the picture below shows the whitened dress on a yellow background vs. the yellowed dress on a white background – such a difference!!!

So, a day of work is done.  Both dresses are fixed and ready for the next wearing! Hopefully the next wearing won’t involve torn fancy bands. However, if they do, well, I’d rather have the dresses be worn rather than just decorating the closets. I’m keeping my fingers crossed that Lauren’s Christmas dress will fit Ella this year. That way I’m ahead of the game for Christmas dresses!

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I hope that you don’t have to repair fancy bands. The job isn’t fun, but in the end, it was well worth it!

Keep on stitching……

Kathy

Perfectly Pretty Smocked Peasant Top & Dress

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This was first posted in 2014. I’m updating the post today. 😊

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This is my “Perfectly Pretty” top on my sweet granddaughter when she was 2 years old.  It was featured in Sew Beautiful magazine in 2013 and I was thrilled to see that it made the cover photo of Issue #149.

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Since then, I’ve added sizes as well as improved the directions and now offer this top/dress in my Etsy shop in sizes 12 mo. – 10. I’ve made this top so many times and it’s always been a hit. While I realize that we are currently heading into cooler weather, it’s a great pattern to whip up for those holiday vacations to warm destinations as well as for future warm weather!

As you can see, it makes a great summer dress as well! Nice and cool for those warm days! It’s cute on both big girls as well as little ones! Excuse the bad picture!!!

It also makes a wonderful top to accompany shorts or bloomers as well.

As you can see, the Perfectly Pretty pattern has lots of possibilities!

Leaving you with a picture that will make you smile! Happy stitching!

Kathy

Technology (I-Pad) And Smocking

I thought that this post was definitely worth reviving since I still am a fan of using my iPad for smocking!

First, let me preface that I am a far cry from being a technological wizard. LOL!  This statement alone will send my husband into hysterical laughter!  So for those that are technologically advanced or under the age of 40, this post isn’t for you unless you just want a good laugh, which I’m happy to provide. However, for the old mature ladies that may also suffer from technological challenges as well as poor vision, you’ll want to keep reading!  I am sure that I have at least one mature smocker on the edge of her seat at this moment!!!  (well, in my imagination I do anyway!)

My eyesight has never been good, and as I’ve become a woman of a certain age, my eyesight has diminished as well. This isn’t a good thing when it comes to smocking and embroidery. You do actually need to “see” what you’re doing to be successful at it.  I do use magnification when stitching, and that is so helpful, but I needed even more help than that! This is where my iPad comes in.

My husband is always helping me and looking for ways to make it easier for me to do the things that I enjoy – particularly smocking. I was thrilled to learn that I could enlarge (to ginormous proportions!) my smocking designs.  He has the iPad set up so that I can access all my documents – therefore, all the smocking designs that I’ve designed. (I know many of you are so smart and already know this stuff, but I needed his help!)  Not only do I have access to my smocking designs, but I also have access to all the free designs that can be downloaded from the internet as well as the PDF smocking designs available for purchase.

Prior to Christmas, I purchased Janet Gilbert’s Elf design and smocked it on a dress for my granddaughter. My husband observed me trying to do the balancing act with my iPad perilously perched on the arm of my easy chair while smocking the insert for the dress. No easy task!  He immediately researched and purchased an iPad stand.  He gave it to me for Christmas!  Oh – how sweet it is!!!  I’ve used this several times already!

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My armchair isn’t pictured – I had to resort to a chair that I could carry into the photography room as I’m not a photographer either! Observe how fabulous this device is – I can adjust it to any level and get it as close to my eyes as needed! As easily portable as it is, I can pack it up and take it on vacation with me as well. This was a win!!!

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This stand is stable, can be adjusted and/or rotated. The upper portion of the stand is flexible, so can be bent to just the right place. You could also use this standing up if you wanted to use it as a music stand. While there are lighter weight and cheaper versions available, I like the sturdiness of this stand. What a fabulous addition to my smocking “tools”.  The iPad stays securely attached.

In case you haven’t noticed, I have that smocking design zoomed in to gigantic so that every stitch is easily seen!!!  You can do this!

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In case you’re interested, the smocking design is one of mine that was featured in Sew Beautiful magazine (July 2011) and is a free download on their website. Perfect for your summer smocking!

My latest smocking project using my iPad and stand has been a baptism outfit for our new grandson. I downloaded the free cross design from Michié.  She has generously shared so many free designs on her blog – you definitely want to check it out. I zoomed in on that one and finished up his outfit. It is so sweet and he’ll be wearing it in a few weeks when he is baptized.

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Even more recently, I have discovered that I can use my iPad as a light-box of sorts to trace embroidery designs. In order to do this, I first had to adjust the brightness on my iPad. Go to the iPad settings, find the brightness and adjust it there.

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After adjusting the brightness as bright as it will go, I pulled up the embroidery design that I wanted to trace.  It is just a bit tricky as  you must have one hand on the screen to hold it in place (keep it from moving around) while you’re tracing. But, with sheer fabrics and a size embroidery design that fits the screen of the iPad, this works pretty well.

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I hope that this has helped at least one of my sewing friends – after all, we all want to be able to enjoy the fine art of embroidery and smocking as long as we have eyes to see and hands that can still stitch!

This post was written in 2015. Since that time, I have found other uses for the IPad. Post surgery, it was wonderful to be able to enjoy watching movies while laying in bed. It is also a great way to read a book using the kindle feature if your hands tire while holding the IPad. I prefer reading all my kindle books on the IPad due to the larger font. Isn’t technology great!

So, with that, this technological non-wizard will sign off and get back to some sewing and smocking!

Happy stitching……

Kathy

Annalise Top

This is a repost from 2014! My, the time has flown by!!! My little princess has her 11th birthday today!!!

I did have the opportunity to stitch out an adorable Snow Princess on one of my Annalise tops.  I am thrilled with it and the little princess that will wear it immediately recognized it.

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Update – Janet’s website is no longer available.

Fortunately I had some sparkly rick rack in my stash in both pink as well as white.  I couldn’t decide on which one to use, so I used them both!  Because the points were the same distance apart and only the height of the peaks were different, I was able to use them together and the end result was not only interesting, but I think that it goes well with the snow theme.

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This went along so well with the snowflakes in the smocking – which I added one strand of silver metallic thread for sparkle effect. As you can see, the little princess O is adorable in her top!!!

The Annalise top is one of my newest SAGA approved classes.  The top for the class is done in vibrant colors and has a cap sleeve. The pattern is also available in my Etsy shop with 3 different sleeve variations – angel sleeve, short sleeve & 3/4 length sleeves! It comes in sizes 6 mo. – 8.

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The original pattern was called Temily and was in Australian Smocking and Embroidery magazine #80 several years ago. The original pattern had a 3/4 length sleeve which is perfect for our mild winters in the south. The Etsy pattern has all the sleeve variations!

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I have smocked this top with the different sleeve options so many times and in so many sizes now that I have lost count.  Each one seems to be my new favorite!  It is quick to smock, easy to wear and a little more trendy.  Both kids and moms seem to love it.  I am thrilled to be able to offer the wider range of sizes in the pattern teaching kits.

I’ll share some of the cute versions that I’ve created over the past several years.  I cannot chose a favorite – they are all favorites!

In the 2 samples below I added some width to the sleeves which made them fuller but allowed for a smocked ruffle at the hem. This isn’t included in the pattern, but it easy to adapt.

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OK – I have to stop!  As you can see, this is really one of my favorite tops and with the sleeve variations can be worn all year long.  Different trims, smocking designs and themes allow this top to have unlimited creativity but still be a quick project.  I hope that this will encourage some young moms to learn this fine art of smocking!

Happy Stitching!

Kathy

Changing A Bishop Sleeve

This is re-post of a past blog post, with a few additional comments.

Because styles vary from year to year, I wanted to change up the sleeve of the bishop dress so that it was a bit more contemporary. I redrafted the sleeve to the bishop dress pattern from the bishop pattern that I normally use and put the dress together so that I could smock it while on vacation.  I always make my bishop dresses as ready-to-smock. Instructions on how to do that are available in my Etsy shop (kathysheirloomshop). I love having a completed dress when the smocking is finished.  I was very happy with the end results!

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Smocking on prints is always challenging for me, and this was no exception.  I took along several different colors of floss as well as several different smocking plates.  In the end, I decided to use Creative Keepsake’s “Mackenzie” design.  It is similar to the Children’s Corner “Firelight”, which I’ve always loved on prints and plaid fabrics.  I think that the use of the 2 colors is very subtle and compliments the print nicely.

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The micro check gingham for the bias at the neck and sleeves adds a little brightness to the fall-ish print.  The micro check was also used for covered buttons in the back.

Now, for a few details on how  the sleeves were redrafted.  You’ll notice that they are not smocked.  I wanted less full sleeves, so smocking them wasn’t practical as that would require more fullness than I wanted.  To reduce the fullness in the sleeves, I creased the sleeve in several places and put some 1/4″ tucks at the creases and pinned them down as  seen on the furthest tuck on the right.  After I felt that enough fullness was removed, the new sleeve was redrawn with the top edge drawn as a smooth line from one side to the other.

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The next thing to do was to reduce the depth under the arm.  The finished sleeve depth under the arm is about 1/2″.  Then, the final step was to raise the lower edge of the sleeve by drawing a curve (an upside down “U” shape) from one side seam to the other.  I didn’t have a particular formula for this, just an educated guess.  This is the new sleeve.

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After the new sleeve was created, the dress front, sleeves and back were sewn and the bishop dress pleated as normal.  However, when the bias band was attached to the dress, the pleats in the front and back of the dress were kept tightly together while the sleeve pleats were spread out. At this point, the pleating threads could be removed from the sleeves and the dress front and back tied off as needed.  The short sleeves were gathered at the bottom and bias band was attached.  The bias band for the sleeves was adjusted and made slightly longer (measure your child for accurate measurement) since the different shaped opening requires a little more room than the normal smocked sleeve.  The remainder of the dress was constructed.

This was a fun dress to make and turned out so cute and was a big hit!!!

If this is something that you want to try, don’t be afraid to experiment!

Happy stitching!

Kathy

More Hemline Solutions

This is another re-posting of a previously “lost” blog post with a few updates.

Often times a special occasion dress is made which involves much time as well as expense and is worn only a few times.  Little girls tend to outgrow the length of the dress before the width.  With a little planning the dress can be lengthened and another year or so of wear can be had.

When a hem is taken out, most often the crease line remains visible – not appealing on a beautiful heirloom dress.  Since most of the time only a couple inches of length need to be added, a great solution is to cut the dress off at the crease, add a row of beading or insertion, and then you can add the cut off section of hem below the insertion and finish the lower edge with a lace trim or you can add a width of eyelet that compliments the insertion/beading and the remainder of the dress.  The goal is to make it look like a plan.  You may need to cut a bit more of the skirt length off, depending on what you add to the bottom of the dress.  Of course, if you plan ahead when you first make the dress, you can set aside extra trims that you’ve already used in the dress for lengthening later on.

While these pictures are dresses that were not specifically lengthened, they are good examples of how you could lengthen a too short dress.

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If you’ve used a floral print for the heirloom dress, the floral fabrics between the added on lace is a pretty choice as well.

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Of course, a beautiful lace fancy band is always a wonderful choice!

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Just a few more ideas.

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Ribbon and lace offer a slightly more cost effective solution.

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You can even add embroidered laces that use the colors in the smocking to add a beautiful hem and lengthen the dress.

For a more casual dress, adding a contrast band with some rick rack works well. By adding a second layer of rick rack, it looks more like a design option than an add-on.

Of course, a contrast band can be added with lace as well.

A scalloped band is a lovely and more unusual treatment for length.

Adding several color blocks is yet another option. This dress had an impossible stain on the lower skirt. Because of the various colors in the smocked flowers, a couple color block sections offered a great option!

I did a chain stitch over the seam for additional interest.

These are just a few examples of how to creatively and beautifully add length to a dress. As you can see, the possibilities are endless!! Hopefully it will jump start your creative juices and allow you to come up with even more ideas if you need to lengthen a pretty heirloom dress!

Happy stitching!

Kathy

Bishop Tips To Avoid A Turtleneck

Today I thought I’d do a post with some tips specifically for the bishop dress.  This is a repeat post as the original post was inadvertently deleted. 🤪 The bishop dress is the easiest to construct, so it is a popular style to make for baby gifts, for all the special holidays, etc.  In a busy season, the smocking can be enjoyed and the dress made up relatively quickly.

Around holidays, I always enjoy seeing beautiful bishop dresses that are being made for the little ones.  However, as I look at the creations posted on Facebook, Pinterest and Instagram, I have noticed a plethora of the dreaded “turtleneck” bishop dresses.  If you aren’t familiar with the term, it is used for a bishop dress that has been smocked so tightly that the smocked area sticks up, like a turtleneck.

There are 2 basic methods of smocking a bishop.  One method is to smock the bishop with the threads tied off straight, which I will call straight smocking.  The other method is to smock the bishop with the bishop blocked, or fanned out, the way that it will be worn.  I would put ready to smock bishop dresses as a sub category of this.  There are pros and cons to both methods and both methods have avid followers that fiercely defend their method of choice.  🙃  Both methods will be discussed.

First, lets cover basic anatomy.  I’m sure that everyone already knows this, but a picture review doesn’t hurt.  Any child, doll, preemie, etc. has the same basic shape.  Notice the angle of the neck and shoulders.  A properly smocked bishop dress should sit at the neckline and fall over the shoulders.

Just as a brief reminder, the smocking should stop at the shoulder line – the same place that a set in sleeve seam would be.  If the smocking falls further past the shoulder line, the dress will tend to look frumpy (my opinion).

Unfortunately, when a bishop is smocked too tightly, thus creating the turtleneck, it doesn’t sit that way.  The bias band will be higher on the neck and will stand away from the neck.  Not wanting to steal anyone’s picture and embarrass anyone, I have done a quick sketch/mock-up.  I left the turtleneck style sketch so that the neck/shoulders underneath would be visible.

There’s a couple of problems with the turtleneck bishop.  First of all, it will always remain that shape and will not sit properly on the child.  Some will attempt to correct the shape by stretching and blocking it after smocking and before construction, which will make it look better for the short-term.  Unfortunately as soon as the garment is laundered, it will return to its original shape.

I know many ladies that use the smocking straight method and have been able to create beautiful garments that lay perfectly once the pleating threads are removed.  However, for many, this isn’t the case.  Many that favor the straight smocking method will state that without a doubt, if a bishop plate is chosen for the smocking design, when the pleating threads come out, the dress will automatically fan out as it should.  I disagree with that.  All of the smocked “turtleneck” bishops that I’ve seen have been smocked with a smocking design designated as a bishop design.  The problem lies with the tension – it is too tight.

The straight method is definitely easier to smock.  However, just like with the blocked method, the tension on the stitches needs to be looser as you stitch the lower rows.  If they are smocked equally as tight as the upper rows, the turtleneck is bound to happen.  There’s no way that smocking a dense bishop design will end up well if the tension doesn’t relax as the lower rows are smocked.  This takes practice.  If you struggle with the turtleneck effect, it may be helpful to tie the straight bishop off at a longer length and smock the lower rows first and then tighten up the pleating threads as the top of the bishop is smocked.  Regardless of how you choose to approach this, the tension has to be looser on the bottom rows to avoid the turtleneck situation.

The second method is to block the bishop, which just means that it is fanned out (sometimes over a blocking guide or smocking pillow) in the shape that it will be worn.  Some will also starch it at this point.  Blocking guides and starching seem to be quite time-consuming to me and I have never felt that this is necessary, but it certainly won’t hurt .

I find that the easiest way to block is to use a piece of paper as a guide and fan the bishop out around the paper.  This is the method that I always use.  It’s convenient, no special tools are needed, etc.   and I can do this wherever I happen to be – I can always find a piece of paper.  LOL!

If you prefer to use a guide or one of the smocking pillows that are available, that is certainly an option.  However, based on the hundreds of bishops that I’ve made over the years, I don’t really feel that it is necessary.  By the time that the band is attached to the top of the bishop dress, the pleats are so tightly packed at the neckline that it really doesn’t make a difference (again, my opinion).

Smocking while using the block method (or smocking a ready to smock garment) is a little more difficult.  The pleats at the neckline are very tight and there is more space between pleats at the lower edge, which requires thoughtful tension as you smock.  I always make my bishops as ready to smock because it gives the advantage of getting the first row of smocking to sit perfectly next to the neckband.  That said, it can be challenging smocking all of the really tight pleats.  But notice how close and even that first row of smocking can be!

It is important that if you are smocking using the blocking method that you don’t habitually squish the pleats together as you smock.  It’s easy to do this without even realizing it, but it defeats the process of learning to loosen tension as you smock the lower rows.

My preferred method is to make up the bishop dress or romper as a ready-to-smock garment ( method 2). I also like to have 2 buttons on the back. I have found that buttons stay fastened while snaps do not. I also don’t like the buttons extending all the way down the back. In my mind, they may not be comfortable and the lower buttonholes can easily get torn with wear and tear.

It is easy to adapt any pattern to make the 2 buttons. I do sell instructions on this method in my Etsy shop (kathysheirloomshop) along with many other patterns.

Whatever method you choose to use, be mindful of tension – it matters.

I thought I’d offer a free smocking plate to encourage you to do some relaxing smocking over the upcoming holiday season. Click on the link below to download the Funky Flower smocking design.

This is a PDF download.  I’ve used this to make a sweet bishop dress in the past.

The graph doesn’t show the detail of the smocking design, but after the smocking was complete, the flower and flower center were outlined with the outline stitch and 2 strands of floss and a French knot was stitched with 4 strands in each flower petal.

I hope that this has been helpful and will allow for everyone to be successful with their bishop smocking designs!  I welcome any comments.  Perhaps others will chime in with comments that help them achieve successful bishops!

Happy Stitching!

Kathy